Sthira Bhattacharya thinks about why two dance sequences from Indian cinema of the 90s have stayed with her.
Harini Pryor writes about The Shoplifters, Hirokazu Kore-eda’s Palme d’Or-winning film.
Tehmina Khan shares her thoughts on Céline Sciamma’s Portrait of a Lady on Fire.
Sripad Sridhar shares his experiences as a wildlife photographer and filmmaker.
Anuradha Warrier writes about the women in the progressive cinema of Nav Ketan.
Sureshkumar revisits a movie from his childhood, under very different circumstances.
...and her performance of ‘Nazar Lagi Raja Tore Bangle Par’, Richard Singer writes.
Why watch a movie? Why write about it? Madhu has questions, and maybe some answers.
A short essay by Sara Siddiqui Chansarkar, about the potent power of nostalgia, and a song from the Hindi film…
Julia Shiota writes about growing up Japanese-American; with art work by Clinton Tham.
Manishankar Prasad looks at how the Indian diaspora in the Middle East consumes films.
Mukesh Manjunath was once a boy who watched too many movies. He writes a personal essay about the cinema that…
Bala writes about experiencing the Kolkata of Satyajit Ray on his travels, and experiencing Ray's films as a window to…
பாலா சத்யஜித் ரேயின் படங்களில் கண்ட கொல்கத்தாவிற்கு சென்று வந்த அனுபவத்தைப் பற்றியும், அவரின் படங்கள் நமக்கு கொடுத்த கொல்கத்தா அனுபவத்தை பற்றியும் எழுதியுள்ளார்.
Looking back on his trip to Himachal Pradesh, K writes about the dichotomy that cinema and travel represent.